Introduction
This paper aims to present a visual language that directly depicts the imagination of the sciences, which is capable of reproducing architectural statements in the humanities as unadulteratedly as possible even if they are formulated in an uncertain way because they are based on uncertain knowledge (Fig. 1). In this way, the architectural statements can be communicated visually and also have a reflexive effect on the humanities. Because these images have a direct effect on the imagination, they are simultaneously a means of communication and research. The paper is aimed at an assumed readership with a general interest in science and design without any particular subject-specific background. Since the journal is based in the academic discipline of art history, the authors attempt to address the specifics of the design disciplines in some places, where there is occasionally a need for clarification of procedures and working methods. The authors are architects themselves, so that the transdisciplinary presentation explains many things that are self-evident in architecture, in order to awaken an understanding for these things in general, on the one hand, but above all an interest in interdisciplinary work.